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This is similar to Polytonal Chords I - IV see
Polytonal Chords
This technique allows you to create a bigger tension chord by playing two different chords in a row arpeggio style. Remember to play low to high in tone - starting with the low tones on the left to the higher tones going right.
The following examples are melodic minor arpeggios created from the C melodic minor scale. (Jazz melodic minor - ascending and descending same notes)
Number positions are the same for all fifteen keys.
C melodic minor note names = C, D, Eb, F, G, A, B, C, D, Eb, F, G, A, B, C
C melodic minor scale numbers = 1/R, 2, b3, 4, 5, 6, 7, 8/R, 9, b10,11, 12, 13, 14, 15/R
C minor major seventh - C, Eb, G, B
D minor seventh - D, F, A, C
Together = C, Eb, G, B, D, F, A, C = C minor major thirteenth or Cm maj13
Number formula = R, b3rd, 5th, 7th, 9th, 11th, 13th
F dominant seventh - F, A, C, Eb
G dominant seventh - G, B, D, F
Together = F, A, C, Eb, G, B, D, F = F dominant nine add sharp eleventh and thirteenth or
F9/#11/13
Number formula = R, 3rd, 5th, b7th, 9th, #11th, 13th
C minor major seventh - C, Eb, G, B
G seventh - F, G, B, D third inversion
Together = C, Eb, G, B, F, G, B, D = C minor major ninth add eleventh or Cm maj9/11
Number formula = R, b3rd, 5th, 7th, 9th, 11th
F major sharp eleventh - F, A, B
F dominant seventh - C, Eb, F, A second inversion
Together = F, A, B, C, Eb, F, A = F dominant seventh add sharp eleventh or F7/#11
Number formula = R, 3rd, 5th, b7th, #11th
Assignment: Record each of these chords (last chord given in each example) - using quarter note strums for five to ten minutes. Then using quarter then eighth notes on another track or with a friend - play the bi-tonal arpeggio up in tone then down in tone.
Now transpose these to each position (register) of your instrument, then to all 15 keys.
All materials copyright 2010. For personal use only.
Vince Lauria Sun and Earth Music
This is similar to Polytonal Chords I - IV see
Polytonal Chords
This technique allows you to create a bigger tension chord by playing two different chords in a row arpeggio style. Remember to play low to high in tone - starting with the low tones on the left to the higher tones going right.
The following examples are melodic minor arpeggios created from the C melodic minor scale. (Jazz melodic minor - ascending and descending same notes)
Number positions are the same for all fifteen keys.
C melodic minor note names = C, D, Eb, F, G, A, B, C, D, Eb, F, G, A, B, C
C melodic minor scale numbers = 1/R, 2, b3, 4, 5, 6, 7, 8/R, 9, b10,11, 12, 13, 14, 15/R
C minor major seventh - C, Eb, G, B
D minor seventh - D, F, A, C
Together = C, Eb, G, B, D, F, A, C = C minor major thirteenth or Cm maj13
Number formula = R, b3rd, 5th, 7th, 9th, 11th, 13th
F dominant seventh - F, A, C, Eb
G dominant seventh - G, B, D, F
Together = F, A, C, Eb, G, B, D, F = F dominant nine add sharp eleventh and thirteenth or
F9/#11/13
Number formula = R, 3rd, 5th, b7th, 9th, #11th, 13th
C minor major seventh - C, Eb, G, B
G seventh - F, G, B, D third inversion
Together = C, Eb, G, B, F, G, B, D = C minor major ninth add eleventh or Cm maj9/11
Number formula = R, b3rd, 5th, 7th, 9th, 11th
F major sharp eleventh - F, A, B
F dominant seventh - C, Eb, F, A second inversion
Together = F, A, B, C, Eb, F, A = F dominant seventh add sharp eleventh or F7/#11
Number formula = R, 3rd, 5th, b7th, #11th
Assignment: Record each of these chords (last chord given in each example) - using quarter note strums for five to ten minutes. Then using quarter then eighth notes on another track or with a friend - play the bi-tonal arpeggio up in tone then down in tone.
Now transpose these to each position (register) of your instrument, then to all 15 keys.
All materials copyright 2010. For personal use only.
Vince Lauria Sun and Earth Music
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