Monday, November 8, 2010

Planing

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Planing is a great way to add to new dimension to a song or piece.
Claude Debussy and Maurice Ravel were the pioneers of this technique.


Take a simple C major diatonic progression:
D minor seventh- ii7, G dominant seventh - V7, C major seventh - Imaj7
Take the same chords and move up or down in chromatic half steps:


Up in tone:
C#m7 to Dm7, F#7 to G7, Bmaj7 to Cmaj7


Down in tone:
Ebm7 to Dm7, Ab7 to G7, C#maj7 to Cmaj7




Also use the same chord chromatically in interval distances:
Cmaj7 to Emaj7
Cmaj7, C#maj7, Dmaj7, Ebmaj7, Emaj7


Also move the same chord by scale movement:
Cmaj7 to Fmaj7
Cmaj7, Dmaj7, Emaj7, Fmaj7


Also using this same idea and move by minor third intervals:
Cmaj7 to Cmaj7 octave:
Cmaj7, Ebmaj7, F#maj7, Amaj7, Cmaj7.


Also use this same idea and move in whole tone or whole step intervals:
Cmaj7 to Cmaj7 octave above
Dmaj7, Emaj7, F#maj7, Abmaj7, Bbmaj7, Cmaj7.


Also do descending:
Cmaj7 to Cmaj7 octave below
Cmaj7, Bbmaj7, Abmaj7, F#maj7, Emaj7, Dmaj7, Cmaj7.


Also major pentatonic ascending:
Cmaj7 to Cmaj7 octave
Cmaj7, Dmaj7, Emaj7, Gmaj7, Amaj7, Cmaj7.


Also major pentatonic descending:
Cmaj7 to Cmaj7 octave below:
Cmaj7, Amj7, Gmaj7,Emaj7, Dmaj7, Cmaj7.


Notice that the same note relationship (shape) stays the same.










Now transpose these to each position (register) of your instrument, then to all 15 keys.





















All materials copyright 2010. For personal use only.

Vince Lauria Sun and Earth Musi

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