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This is similar to Polytonal Chords I - IV see
Polytonal Chords
This technique allows you to create a bigger tension chord by playing two different chords in a row arpeggio style. Remember to play low to high in tone - starting with the low tones on the left to the higher tones going right.
The first examples are major arpeggios created from the C major scale.
Every note position in a major scale is assigned a coinciding number position.
Example given in key of C major. Number positions are the same for all fifteen keys.
C major note names = C, D, E, F, G, A, B, C, D, E, F, G, A, B, C
C major scale numbers = 1/R, 2, 3, 4, 5, 6, 7, 8/R, 9, 10,11, 12, 13, 14, 15/R
C major seventh - C, E, G, B
D minor seventh - D, F, A, C
Together = C, E, G, B, D, F, A, C = C major thirteenth or Cmaj13
Number formula = R, 3rd, 5th, 7th, 9th, 11th, 13th
C major sixth - C, E, G, A
B minor seventh flat fifth - B, D, F, A
Together = C, E, G, A, B, D, F, A = C major sixth add seventh, nine, eleventh and thirteenth or
Cmaj 6/7/9/11/13
Number formula = R, 3rd, 5th, 6th, 7th, 9th, 11th, 13th
C major seventh - C, E, G, B
G seventh third inversion - F, G, B incomplete
Together = C, E, G, B, F, G, B = C major seventh add eleventh or Cmaj7/11
Number formula = R, 3rd, 5th, 7th, 11th
F major sharp eleventh - F, A, B
F major - C, E incomplete
Together = F, A, B, C, E = F major seventh sharp fourth or Fmaj7#11 (also written Fmaj7#4)
Number formula = R, 3rd, #4, 5th, 7th
Assignment: Record each of these chords (last chord given in each example) - using quarter note strums for five to ten minutes. Then using quarter then eighth notes on another track or with a friend - play the bi-tonal arpeggio up in tone then down in tone.
Now transpose these to each position (register) of your instrument, then to all 15 keys.
All materials copyright 2010. For personal use only.
Vince Lauria Sun and Earth Music
This is similar to Polytonal Chords I - IV see
Polytonal Chords
This technique allows you to create a bigger tension chord by playing two different chords in a row arpeggio style. Remember to play low to high in tone - starting with the low tones on the left to the higher tones going right.
The first examples are major arpeggios created from the C major scale.
Every note position in a major scale is assigned a coinciding number position.
Example given in key of C major. Number positions are the same for all fifteen keys.
C major note names = C, D, E, F, G, A, B, C, D, E, F, G, A, B, C
C major scale numbers = 1/R, 2, 3, 4, 5, 6, 7, 8/R, 9, 10,11, 12, 13, 14, 15/R
C major seventh - C, E, G, B
D minor seventh - D, F, A, C
Together = C, E, G, B, D, F, A, C = C major thirteenth or Cmaj13
Number formula = R, 3rd, 5th, 7th, 9th, 11th, 13th
C major sixth - C, E, G, A
B minor seventh flat fifth - B, D, F, A
Together = C, E, G, A, B, D, F, A = C major sixth add seventh, nine, eleventh and thirteenth or
Cmaj 6/7/9/11/13
Number formula = R, 3rd, 5th, 6th, 7th, 9th, 11th, 13th
C major seventh - C, E, G, B
G seventh third inversion - F, G, B incomplete
Together = C, E, G, B, F, G, B = C major seventh add eleventh or Cmaj7/11
Number formula = R, 3rd, 5th, 7th, 11th
F major sharp eleventh - F, A, B
F major - C, E incomplete
Together = F, A, B, C, E = F major seventh sharp fourth or Fmaj7#11 (also written Fmaj7#4)
Number formula = R, 3rd, #4, 5th, 7th
Assignment: Record each of these chords (last chord given in each example) - using quarter note strums for five to ten minutes. Then using quarter then eighth notes on another track or with a friend - play the bi-tonal arpeggio up in tone then down in tone.
Now transpose these to each position (register) of your instrument, then to all 15 keys.
All materials copyright 2010. For personal use only.
Vince Lauria Sun and Earth Music
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